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The Royal Shakespeare Company Directed By Peter Brook - The Persecution And Assassination Of Marat As Performed By The Inmates Of The Asylum Of Charenton Under The Direction Of The Marquis De Sade FLAC

The Royal Shakespeare Company Directed By Peter Brook - The Persecution And Assassination Of Marat As Performed By The Inmates Of The Asylum Of Charenton Under The Direction Of The Marquis De Sade FLAC Performer: The Royal Shakespeare Company Directed By Peter Brook
Album: The Persecution And Assassination Of Marat As Performed By The Inmates Of The Asylum Of Charenton Under The Direction Of The Marquis De Sade
Country: US
Released: 1966
Style: Musical
Label: Caedmon Records
Genre: Cinema
Catalog #: TRS 312
Size FLAC: 2683 mb.
Size MP3: 2090 mb.
Rating: 4.2/5
Votes: 729
Record Source: 3 × Box Set, Album, Stereo, LP




Tracklist


1Act 2, Conclusion 20:55
2Act 1, Continued22:20
3Act 2: Beginning 12:40
4Act 1, Beginning25:37
5Act 1, Conclusion 16:26
6Act 1, Continued18:15


Versions


CategoryArtistTitle (Format)LabelCategoryCountryYear
TRS 312Richard Peaslee The Persecution And Assassination Of Jean-Paul Marat As Performed By The Inmates Of The Asylum Of Charenton Under The Direction Of The Marquis De Sade ‎(3xLP, Album, MP)Caedmon RecordsTRS 312US1966


Credits


  • Adapted By (Text)Adrian Mitchell
  • Directed ByPeter Brook
  • Liner NotesMartin Esslin
  • Photography ByTom Hollyman
  • Written-ByPeter Weiss
  • Written-By, Liner NotesRichard Peaslee


Notes


Comes in cardboard box with 15 page Production Folio
Comes with play script bound in a 117 page paperback book.


Barcodes


  • Matrix / Runout (side A label): TRS 312-M-A
  • Matrix / Runout (side B label): TRS 312-M-B
  • Matrix / Runout (side C label): TRS 312-M-C
  • Matrix / Runout (side D label): TRS 312-M-D
  • Matrix / Runout (side E label): TRS 312-M-E
  • Matrix / Runout (side F label): TRS 312-M-F
  • Matrix / Runout (side A runout etched): TRS-312M-A-1 TES
  • Matrix / Runout (side B runout etched): TRS-312M-B-1 TES
  • Matrix / Runout (side C runout etched): TRS-312M-C-1 TES
  • Matrix / Runout (side D runout etched): TRS-312M-D-1 TES
  • Matrix / Runout (side E runout etched): TRS-312M-E-1 TES
  • Matrix / Runout (side F runout etched): TRS-312M-F-1 TES


Companies


  • Published By – Highgate Press
  • Copyright (c) – Caedmon Records, Inc.


Album


MaratSade, full title: The persecution and assassination of Jean Paul Marat as performed by the inmates at the Asylum of Charenton under the direction of the Marquis de Sade , is a play in a play, written in German by Peter Weiss in1963. Performed by the Royal performed by the inmates of the asylum of. Under the direction of. The marquis de sade. The persecution and assassination of. Jean-paul liarat as performed by the inmates of the asylum of charenton under the direction of the. lIARQUIS DE SADE. By peter weiss. English version by geoffrey skelton. All inquiries concerning tlze rights for professional or. amateur stock production should be directed to Joan Daves, 145 East 49th Street, New York, N. 10017 INTRODUCTION. What's the difference between a poor play and a good one I. In the end, Marat is murdered, the action completed, and total mayhem ensues. The inmates assault their keepers and the audience and their barely supressed capacity for violence is released. Paradoxically, though film is supposed to be a more intimate medium, th. The Persecution and Assassination of Jean-Paul Marat As Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Charenton Asylum, the Marquis de Sade directs a play about Jean Paul Marat's death, using the patients as actors. Based 'The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade', a 1963 play by Peter Weiss. A Perseguição e o Assassinato de Jean-Paul Marat Desempenhados Pelos Loucos do Asilo de Charenton Sob a Direção do Marquês de Sade, Die Verfolgung und Ermordung Jean-Paul Marats dargestellt durch die. Reprint of the 1970 ed. Originally published in Germany by Suhrkamp Verlag, 1964 under the title: Die Verfolgung und Ermordung Jean Paul the full title indicates, the play depicts the assassination of one of the leaders and firebrands of the revolution, Jean-Paul Marat, by Charlotte Corday, who was of the Girondist faction within the revolution, and had come from Caen, in Normandy, to do the deed. She acted alone. She knifed him in his bath, where he had to sit for hours due to a debilitating skin condition. Peter Weiss, the plays author, has the above events portrayed brilliantly in my opinion by actors playing the part of the inmates of the insane asylum at Charenton, which used to exist, outside of Paris. And there is the overview of de Sade himself as he tries to direct the action. The inmates act out the final days of Marat, while Sade orchestrates the action from outside. The common people- who have withstood the French Revolution and the rise of Napoleon without any noticeable improvement of their lot in life- begin to rebel against the play itself. They either rehash censored bits or stray from the script itself. Meanwhile, the entire production is watched over by Coulmier, the bourgeois director of the asylum. As the representation of the new Napoleonic order, he tries to suppress the play's swing towards radicalism and anchor the asylum back into a pro-Bonapar. Приобретайте пластинки, компакт-диски и многое другое от Royal Shakespeare Company на маркетплейсе is set in a lunatic asylum, where the Marquis de Sade is directing a play about the murder of political thinker Jean Paul Marat. A review in the Financial Times called it comprehensively perverse, adding that it constantly challenges both dramatic conventions and audience composure. Written by Swedish playwright Peter Weiss, MaratSade or, to give it its full title: The Persecution and Assassination of Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade was first staged by the newly-formed RSC in 1964, starring Glenda Jackson and Patrick Magee